Last edited by Akishicage
Tuesday, August 4, 2020 | History

3 edition of [Polyphonic music of the fourteenth century] found in the catalog.

[Polyphonic music of the fourteenth century]

Leo Schrade

[Polyphonic music of the fourteenth century]

Commentary notes to volume 1-4.

by Leo Schrade

  • 364 Want to read
  • 27 Currently reading

Published by E ditions de l"Oiseau-Lyre in Monaco .
Written in English

    Subjects:
  • Music -- 500-1400 -- History and criticism,
  • Vocal music,
  • Instrumental music

  • The Physical Object
    Pagination4 v. in 3 ;
    ID Numbers
    Open LibraryOL14472551M
    OCLC/WorldCa2539998

    (source: Nielsen Book Data) Summary The French polyphonic tradition of the fourteenth century blossomed earlier than the Italian, perhaps because of its long tradition of polyphony in previous centuries, many sources of which were being copied in the early s.   Russell Oberlin countertenor, Charles Bressler tenor, Gordon Myers baritone, Paul Wolfe organ. XIV and Early XV Century English 3-part Polyphony. XIV Century Settings of the Mass - .

    Polyphony – the use of multiple, independent melodic lines, performed simultaneously – became increasingly elaborate throughout the 14th century, with highly independent voices (both in vocal music and in instrumental music). The beginning of the 15th century showed simplification, with the composers often striving for smoothness in the. The Polyphonic Era is a term used since the midth century to designate an historical period in which harmony in music is subordinate to polyphony (Frobenius , §4).It generally refers to the period from the 13th to the 16th century (Kennedy ).Most notated music consisted of the simultaneous flow of several different melodies, all independent and equally important, or polyphony.

    Unknown Motets in a Recovered 13th century Ms. Speculum, ff. Schrade, Leo (ed.) The Polyphonic Music of the Fourteenth Century. 3 vols. Schrade, Leo. The Mass of Toulouse. Revue Belge de Musicologie, 8: 84ff. Schrade, Leo. Political Compositions in French Music of the 12th and 13th Centuries. While the series Early English Church Music (hereafter EECM) typically presents editions of sacred repertory in modern notation, for study and performance, thre.


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[Polyphonic music of the fourteenth century] by Leo Schrade Download PDF EPUB FB2

POLYPHONIC MUSIC OF THE FOURTEENTH CENTURY Volume XVI English Music for Mass and Offices (I) by FISCHER Von Kurt, HARRISON Frank Ll., SANDERS Ernest H., LEFFERTS Peter M.

and a great selection of related books, art and collectibles available now at Book Review | October 01 Review: Polyphonic Music of the Fourteenth Century, XVIII-XX, French Secular Music: Manuscript Chantilly, Musée CondéSecond Part, Nos. ; Ballades and Canons by Gordon K. Greene, Terence ScullyAuthor: Laurie Koehler.

The University of Chicago Press. Books Division. Chicago Distribution Center. COVID Resources. Reliable information about the coronavirus (COVID) is available from the World Health Organization (current situation, international travel).Numerous and frequently-updated resource results are available from this ’s WebJunction has pulled together information and resources to assist library staff as they consider how to handle coronavirus.

Send Email. Recipient(s) will receive an email with a link to 'Review: Polyphonic Music of the Fourteenth Century. Vol. XII: Italian Sacred Music by Kurt von Fischer, F. Alberto Gallo' and will not need an account to access the by: 1.

Editorial team. General Editors: David Bourget (Western Ontario) David Chalmers (ANU, NYU) Area Editors: David Bourget Gwen Bradford. Species Counterpoint produces artificial rhythmic textures which are very rarely found in actual 16th century music, but which may be found from time to time in 17th and 18th century music.

Note that Pachelbel's famous Canon in D - if it is authentic it dates from around - begins with the 1st, 2nd and 3rd s: And yet one searches diligently for polyphony appropriate for the Annun-ciation in thirteenth- and fourteenth-century sources. The Magnus liber organi (Great Book of Organum), a Parisian collection of polyphonic music for the major feasts of the year, ignores.

The book containing a collection of elaborate polyphonic compositions composed by Leonius and Perotinus is called the Great Book of Polyphony. During the Middle Ages, most artistic endeavor was inspired, encouraged, and paid for by. Secular music in the fourteenth century _____.

became more important than sacred music was not based on Gregorian chant included drinking songs and pieces in which bird calls, dog barks, and hunting shouts were imitated All answers are correct. English 14th-Century Polyphonic Music: An Inventory of the Extant Manuscript Sources With Reference to Facsimile and Performing Editions WILLIAM J.

SUMMERS he inventory that follows was drawn up to ac-company a review of three recently-published volumes devoted pri- marily to fourteenth-century English polyphonic music that appeared. Polyphonic music of the fourteenth century.

MLA Citation. Schrade, Leo. Polyphonic music of the fourteenth century / edited by Leo Schrade. [music] Australian/Harvard Citation. Schrade, Leo.Polyphonic music of the fourteenth century / edited by Leo Schrade.

[music] Wikipedia Citation. Check out Music of the Middle Ages, Vol 6: English Polyphony of the 14th & Early 15th Centuries by Russell Oberlin/Various on Amazon Music.

Stream ad-free /5(4). Medieval music consists of songs, instrumental pieces, and liturgical music from about A.D. to Medieval music was an era of Western music, including liturgical music (also known as sacred) used for the church, and secular music, non-religious al music includes solely vocal music, such as Gregorian chant and choral music (music for a group of singers), solely instrumental.

Polyphonic music of the fourteenth century. Monaco: Editions de l'Oiseau-Lyre, ©© (OCoLC) Online version: Polyphonic music of the fourteenth century.

Monaco: Editions de l'Oiseau-Lyre, ©© (OCoLC) Document Type: Musical Score: All Authors / Contributors: Leo Schrade. Polyphony is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chords, homophony.

Within the context of the Western musical tradition, the term polyphony is usually used to refer to music of the late Middle Ages and Renaissance. Book Description. First published inthis volume brings together the most part of the author’s work on medieval polyphony.

The most significant advance in music during the period in the High Gothic was the development of a system of rhythm and of its notation, the modern understanding of which was to a considerable extent obscured by an undue emphasis on the so-called rhythmic modes.

Search the world's most comprehensive index of full-text books. My library. polyphonic composition Download polyphonic composition or read online books in PDF, EPUB, Tuebl, and Mobi Format. Click Download or Read Online button to get polyphonic composition book now. This site is like a library, Use search box in the widget to get ebook that you want.

The second part of the book contains an extended treatment of "species" counterpoint in two, three, and four parts, as well as counterpoint in more than four parts, and specific discussions of the canon, the motet, and the Mass. Throughout, the text is generously supplied with musical examples―exercises, solutions, and illustrations 5/5(1).

In the early fourteenth century, musicians in France and later Italy established new traditions of secular and sacred polyphony. This ars nova, or "new art," popularized by theorists such as Philippe de Vitry and Johannes de Muris was the among the first of many later movements to establish the music of the present as a clean break from the past.xxii, pages: 24 cm Music of the Middle Ages provides a comprehensive, chronological survey of musical style and compositional technique from early plainchant to the flourishing of fourteenth-century polyphonyFrom publisher description.First paperback edition of classic introductory text by world-renowned musicologist and authority on Palestrina.

Features history of contrapuntal theory, technical features, "species" exercises in 2- 3- and 4-part counterpoint; canon, motet, Mass, more. Includes many musical examples. New foreword by Alfred Mann. Introduction.